CV
Jane Harris presently lives in SW France and works in England and France.
| 1956 | Born in Dorset, England |
| 1975-1976 | Bournemouth College of Art |
| 1976-1977 | Camberwell School of Art |
| 1977-1979 | Brighton Polytechnic, BA Fine Art |
| 1979-1981 | Slade School of Art, Higher Diploma Fine Art |
| 1989-1991 | Goldsmiths College, MA Fine Art |
Solo Exhibitions since 1990
| 2020 | 'Figures', Galerie Bessières, Paris |
| 2018 | 'Out There', Eagle Gallery, London |
| 2017 | FRAC–Artothèque Limousin, Panazol, France |
| Two Rooms Gallery, Auckland, NZ | |
| 2016 | Rabley Contemporary, Marlborough, UK |
| 2015 | Espace culturel François Mitterrand, Périgueux |
| Galerie Hollenbach, Stuttgart | |
| FRAC–Artothèque Limousin, Argentat, France | |
| 2014 | Musée des Beaux Arts - Chapelle du Carmel, Libourne |
| Horatio Jr., London | |
| 2013 | Pollen, Monflanquin, France |
| 2011 | Galerie Hollenbach, Stuttgart |
| 2010 | Galerie ACDC, Bordeaux |
| 2009 | Galerie d'Ecole des Beaux Arts, Valence |
| 2008 | Hales Gallery, London |
| 2006 | Angel Row Gallery, Nottingham |
| Patricia Sweetow Gallery, San Francisco | |
| 2005 | Aldrich Museum of Contemporary Art, Connecticut |
| Hales Gallery, London | |
| 2004 | Kontainer Gallery, Los Angeles |
| 2001 | Southampton City Art Gallery |
| Jack Shainman Gallery, New York | |
| Galerie Hollenbach, Stuttgart | |
| 1999 | Salle Attane, St-Yrieix-la-Perche, France |
| Galerie Hollenbach, Stuttgart | |
| 1996 | Galerie Hollenbach, Stuttgart |
| 'Work in Progress', Project Space, Camden Arts Centre, London | |
| 1994 | Anderson O’Day, London |
| 1992 | Anderson O’Day, London |
Group Exhibitions since 1990
| 2020 | 'Hard Painting 2', Phoenix Gallery, Brighton |
| 'Take Your Conscience to the Pawn Shop', Terrace, London | |
| 'Circling the Square', Thames-Side Studios Gallery, London | |
| 2019 | 'Emergence: Art and the Incarnation of Space', Martin Museum, Waco, Texas |
| 'Panel Painting 3: Diptych', Eagle Gallery, London | |
| 'Stairway to Heaven', Coombs Contemporary, London | |
| 'Les Ambassadeurs' (with Jiri Kratochvil and Simon Gales), Arboretum, Argenton sur Creuse | |
| 'Summer Exhibition', Royal Academy, London | |
| 2018 | 'On Repeat', GIG, Munich |
| 'Summer Exhibition', Royal Academy, London | |
| 'Touch', Candida Stevens Gallery, Chichester | |
| 'Women Can’t Paint', Turps Gallery, London | |
| 'Malevolent Edlrich Shrieking', Paul Morrison Space, Sheffield | |
| 'Dividing Rules', PAPER, Mirabel Studios, Manchester | |
| London Art Fair (with Rabley Contemporary) | |
| Galeristes, Carreau du Temple, Paris, with La Galerie Bessières | |
| 'Carnets', Halle Nord / Capsule_s, Genève | |
| 'La Beauté du Monde', Crypt Sainte Eugénie, Biarritz (commissaire François Lousteau) | |
| 'Le Sens du Possible', Rayère de Vassivière en Creuse, Frac-Artothèque du Limousin | |
| 'Mesmerise', Odetta Gallery, New York | |
| 2017 | 'Summer Exhibition', Royal Academy, London |
| 'Seeing Through Drawing', A Celebration of John Berger, Mandell’s Gallery, Norwich | |
| 'The Woodcut: From Dürer to Now', Pallant House, Chichester | |
| 'Counterpoints', Eagle Gallery, London | |
| London Art Fair, (with Rabley Contemporary) | |
| INK Miami Art Fair, (with Rabley Contemporary) | |
| 'Les Jours de Pleine Lune ≠6', La Tôlerie, Clermont Ferrand | |
| 'Duo', Rabley Contemporary, Marlborough and London | |
| 'Géométriquement douce', Galerie Jean Fournier, Paris | |
| 2016 | 'In Grain', Rabley Contemporary, Marlborough |
| INK Art Fair, Miami (with Rabley Contemporary) | |
| The Kennington Residency, London | |
| 'Arbeiten auf Papier', Galerie Hollenbach, Stuttgart | |
| 'Lichtibild', Galerie Hollenabach, Stuttgart | |
| 'Contemporary Abstract Prints' (The Golder-Thompson Gift), Pallant House, Chichester | |
| 'Summer Exhibition, Royal Academy', London | |
| London Original Print Fair (with Rabley Contemporary) | |
| 'Flatland', Fold Gallery, London | |
| London Art Fair (with Rabley Contemporary) | |
| A Lundi, FRAC Aquitaine, Bordeaux | |
| Simply Painting, Peacock Visual Arts, Aberdeen | |
| 2015 | 'Perfectionism (part 2'), Griffin Gallery, London |
| '20 Years', Galerie Hollenbach, Stuttgart | |
| 'Seeing Sound', Odetta Gallery, New York | |
| 'Simply Painting', Inverness Museum, Inverness; Swanson Gallery, Thurso | |
| 'Collection en mouvement, Le hasard maîtrisé', FRAC Limousin à Saint-Martin-de Jussac | |
| 'Collection en mouvement, Code couleur', FRAC-Artothèque Limousin, Bort-les-Orgues | |
| 'Whiteout', Eagle Gallery, London | |
| 'Corporeality, Objects and Other Stuff', Fold Gallery, London | |
| 'Summer Exhibition, Royal Academy', London | |
| 'In Light of the Monochrome', Dye House Gallery, Bradford | |
| 'Art et Archéologie. Les narrations de l’absence', Musée d’Aquitaine, Bordeaux | |
| 'Abstraction excentrique et géométriie comique', FRAC Limousin au Garage, Brive | |
| London Art Fair (with Rabley Contemporary) | |
| 2014 | 'Mécaniques du dessin', FRAC Limousin, Limoges |
| 'Panel Paintings 2', Eagle Gallery, London | |
| STATIC: Still Life Reconsidered', Birmingham Museum Waterhall, Birmingham | |
| 'Les Jeunes Seigneurs, Atelier d’Estienne', Pont-Scorff, Bretagne | |
| 'RA Editions', Advanced Graphics, London | |
| 'Art et Archéologie. L'empreinte des sensibles', Le Frac Aquitaine et Vesuna, Périgueux | |
| 'Tableaux', Semiose Galerie, Paris | |
| 'Symbolic Logic', Identity Art Gallery, Hong Kong | |
| 'Mises au Jour', Fonds Départemental d'Art Contemporain, Espace Culturel François Mitterand, Perigueux | |
| Art Genève (with Galerie Semiose) | |
| 'Summer Exhibition, Royal Academy', London | |
| 2013 | 'Coulisses', FRAC Aquitaine, Bordeaux |
| 'Tableaux signeaux', FRAC Limousin à la Préfecture de la Corrèze | |
| 'Summer Exhibition, Royal Academy', London | |
| 2012 | 'The Discerning Eye', Mall Galleries, London |
| 'Jerwood Drawing Prize', Jerwood Gallery, London | |
| 'Summer Exhibition, Royal Academy of Arts’, London | |
| London Original Print Fair | |
| ‘The Indiscipline of Painting’, Mead Gallery, Warwickshire | |
| ‘Coup Double’, FRAC Aquitaine, Bordeaux | |
| ‘The Curator’s Egg Pars Altera’, Anthony Reynolds Gallery, London | |
| Art Rotterdam (with Galerie ACDC) | |
| Arte Fiera Bologna (with Galerie Hollenbach) | |
| 2011 | ‘The Indiscipline of Painting’, TATE St Ives |
| 'Summer Exhibition, Royal Academy of Arts’, London | |
| ‘Friendship of the Peoples’, Simon Oldfield Gallery, London | |
| ‘Mrs Darling’s Kiss, Arch 402 Gallery, London | |
| ‘Seven’, Miami, Florida, with Hales Gallery | |
| 2010 | 'Summer Exhibition, Royal Academy of Arts’, London |
| ‘Seven’, Miami, Florida, with Hales Gallery | |
| FIAC Paris, with Galerie ACDC | |
| 'Neo Geo & Cie', FRAC Limousin, Limoges | |
| 2009 | 'Works on Paper', Two Rooms, Auckland |
| 'SuperSurface FX' (Andrew Bick, Alexis Harding, Jane Harris, Michael Stubbs), Galerie Hollenbach, Stuttgart | |
| 'instants et glissements, dessins de 20 artistes contemporains', La Box, Bourges | |
| 'Alpha',DREI Raum fur Gegenwartskunst' Cologne | |
| 'La Peinture est Presque Abstraite', Le Transpalette, Bourges | |
| 2008 | 'Chromophilia', Bearspace, London |
| ArtChicago - Jane Harris and Richard Galpin (with Hales Gallery) | |
| 2007 | 'British Painting', Galerie Hollenbach, Stuttgart |
| ‘Afterimage’, Two Rooms Gallery, Auckland | |
| ‘Painting: One’, Two Rooms Gallery, Auckland | |
| Auckland Art Fair, New Zealand (with Two Rooms Gallery) | |
| ‘We’ve Landed’, Patricia Sweetow Gallery, San Francisco | |
| Dusseldorf Art Fair (with Patricia Sweetow Gallery) | |
| New York Art Fair (with Hales Gallery) | |
| ‘Doubleuse’, The Nunnery, London | |
| 2006 | Miami Art Fair (with Patricia Sweetow Gallery) |
| ‘Abstract Mode’, FosterArt, London | |
| ‘Manufactured in the UK’, Martinart, Turin | |
| Art fairs - Turin, Bologna, Vienna (with Galerie Hollenbach) | |
| 2005 | ‘Mythomania’, Metropole Gallery, Folkestone; LAAC Dunkerque |
| ‘Death is Part of the Process’, Void Gallery, Londonderry | |
| Kunst 05 Zürich (with Galerie Hollenbach) | |
| "About painting II", Galerie Hollenbach, Stuttgart | |
| "Tom Chamberlain, Jane Harris, Udo Nöger", Ausstellungsraum Zürich | |
| "Tom Chamberlain, Jane Harris, Udo Nöger", Galerie Hollenbach, Stuttgart | |
| viennAfair 2005 | |
| Arte Fiera 2005 Bologna | |
| 2004 | ‘Unframed’, Standpoint Gallery, London |
| John Moores 23, Walker Art Gallery, Liverpool | |
| ‘Twenty Four by Thirty’, Keith Talent Gallery, London | |
| Kunst 04 Zürich | |
| 'White', IZO Gallery, London | |
| 'Arbeiten Auf Papier', Galerie Hollenbach, Stuttgart | |
| Arte Fiera 2004 Bologna | |
| 2003 | 'Drawn 2B Alive', Hales Gallery, London |
| 'Painting Per Se', Galerie Millan, Sao Paulo; Galerie Osca Cruz, Rio de Janeiro | |
| ‘British Abstract Painting’, Kontainer Gallery, Los Angeles | |
| Art Brussels 03 | |
| Arco 03 Madrid | |
| Arte Fiera 2003 Bologna | |
| 'About Painting', Galerie Hollenbach, Stuttgart | |
| 2002 | 'Jerwood Drawing Prize', (Prizewinner), Cheltenham and Jerwood Space London and touring |
| ‘Painting as a Foreign Language’ , British Cultural Institute, Sao Paulo Biennale, Brazil | |
| ‘Mathematique’, Danielle Arnaud Gallery, London (co-curating and exhibiting) | |
| ‘Once Again’, John Hansard Gallery, Southampton (Curating and exhibiting) | |
| 2001 | Miami Art Fair (with Galerie Hollenbach) |
| Brussels Art Fair (with Danielle Arnaud Gallery, London and Galerie Hollenbach, Stuttgart) | |
| Chicago Art Fair, (with Jack Shainman Gallery) | |
| Armoury Show (with Jack Shainman Gallery) | |
| ‘Out of Line’ , Hayward Touring Exhibition | |
| ‘Surface Tension - Six British Painters’, Holly Snapp Gallery, Venice | |
| ‘British Abstract Painting’, Flowers East | |
| ‘Best of The Season’, Aldrich Museum of Contemporary Art, Connecticut | |
| 2000 | Simon Callery, Jane Harris, Mandy Ure, Roy Voss - Recent Paintings, Djanogly Gallery, Nottingham |
| Frankfurt Art Fair (with Galerie Hollenbach) | |
| ‘Force Fields’, Hayward Gallery, London | |
| Cheltenham Drawing Exhibition (Prizewinner), Cheltenham; touring to Hull and Siere, Switzerland | |
| Berlin Art Fair (with Galerie Hollenbach) | |
| San Francisco Art Fair (with Jack Shainman Gallery) | |
| 1999 | ‘Jane Harris: Ana Prada’, Anderson O’Day, London |
| Frankfurt Art Fair (with Galerie Hollenbach) | |
| Chicago Art Fair (with Jack Shainman Gallery) | |
| ‘La Casa, Il Corpo, Il Cuore’, 20th Century House, Museum of Modern Art | |
| Foundation Ludwig, Vienna; touring to Museum of Modern Art, Prague | |
| ‘Sublime: The Darkness and the Light’, Arts Council Touring Exhibition, John Hansard Gallery, Southampton | |
| Berlin Art Fair (with Galerie Hollenbach) | |
| 1998 | ‘Eye was a Child’, Exhibition and Auction organised by Save the Children, Saatchi Gallery, London (painting done with my son, George) |
| ‘Ecstasy’, Jack Shainman Gallery, New York | |
| ‘Ten British Painters’, Galerie Hollenbach, Stuttgart | |
| ‘Eliminate the Negative’, Gasworks Gallery, London | |
| Berlin Art Fair (with Galerie Hollenbach) | |
| 1997 | ‘About Vision’, Fruitmarket Gallery, Edinburgh; Christchurch Mansion, Ipswich |
| ‘Small Truths’ Todd Gallery, London; Leeds City Art Gallery; | |
| Northern Gallery for Contemporary Art, Sunderland | |
| ‘Finish’ (with Ian Davenport, Alexis Harding, Jason Martin), Spacex Gallery, Exeter | |
| ‘Jerwood Painting Prize’ (Shortlisted), Lethaby Gallery, London | |
| ‘Jahresgaben’; Kunstverein Stuttgart | |
| 1996 | ‘Out of Order’: Independent Art Space, London |
| ‘Really Out of Order’: John Hansard Gallery, Southampton | |
| Cornerhouse, Manchester | |
| ‘About Vision: New British Painting in the 1990s’; MOMA, Oxford | |
| ‘Small Truths’, John Hansard Gallery, Southampton; | |
| 1995 | ‘Das Abenteuer der Malerei’, Stuttgart and Dusseldorf Kunstvereins |
| John Moores, Liverpool (Prizewinner) | |
| 1994 | Basel Art Fair, with Anderson O’Day Gallery |
| ‘Surface Tensions', Curwen Gallery, London | |
| Cologne Art Fair, with Anderson O’Day Gallery | |
| 1993 | ‘Maria Chevska, Kate Davis, Rachel Evans, Jane Harris', Anderson O’Day, London |
| 'Jane Harris & Gerard Hemsworth', Powell Moya Partnership, London | |
| ‘Affective Light’, Rear Window, London | |
| Cologne Art Fair, with Anderson O’Day Gallery | |
| John Moores, Liverpool | |
| 1992 | Riverside Open, London |
| ‘Roll’, Clove Building, London | |
| Whitechapel Open, London | |
| ‘East’, Norwich Gallery, Norwich | |
| Royal Overseas League, London | |
| ‘The Discerning Eye’, Mall Galleries, London | |
| 1991 | ‘Crossover’, Anderson O’Day, London |
| MA Show, Goldsmiths College, London | |
| 1990 | ‘Into the Nineties 2’, Mall Galleries, London |
Collections
| Artotheque Limoges |
| Arthur Andersen Art Collection |
| Arts Council of England |
| Purchases made 1995 and 1999 |
| Birmingham Museum and Art Gallery |
| The Boise Collection |
| Brighton University |
| British Airways |
| Clarins |
| Colorado University Art Museum |
| Department of Trade & Industry |
| Doris Lockhart Saatchi |
| Ernst & Young |
| Eversheds |
| Fidelity Worldwide Investments |
| FRAC Aquitaine |
| FRAC Limousin |
| GlaxoWellcome |
| Goldsmiths MA Collection |
| Government Art Collection |
| Lieu d'Art et d'Action Contemporain (LAAC) de Dunkerque |
| Marsh |
| Rhode Island School of Design Museum |
| Sacker & Partners |
| SAKS, Fifth Avenue |
| Southampton City Art Gallery |
| The Hon R B Loder |
| Various private collections |
Prizes, Awards and Residencies
| 2012 | Sunny Dupree Award for a Woman Artist, Royal Academy of Arts, Summer Exhibition |
| Artist in Residence, Clermont Communauté, Clermont-Ferrand, France | |
| 2011 | Artist in Residence, Josef and Anni Albers Foundation, Bethany, CT, USA |
| 2010 | Centre Nationale des Arts Plastiques de France – grant to support Residency at Albers Foundation |
| Royal Academy of Arts, Summer Exhibition – shortlisted for The Wollaston Prize | |
| 2005 | Arts & Humanities Research Council Grant |
| 2004 | Rootstein Hopkins Major Sabbatical Award |
| 2002 | Jerwood Drawing Prize, Third Prizewinner |
| 2000 | Research Award, Goldsmiths College |
| Cheltenham Drawing Exhibition, Award Winner | |
| 1999 | London Arts Board Individual Artiist Award |
| 1998 | Research Award, Goldsmiths College |
| 1996 | Artist in Residence, Camden Arts Centre |
| 1995 | The Arts Foundation Painting Fellowship |
| John Moores Liverpool, Prizewinner | |
| 1993 | London Arts Board Individual Artist Award |
| 1991 | Erasmus Exchange, Rijksakadamie Amsterdam |
| 1985-6 | French Government Scholarship, Paris |
| Nine months spent in Paris studying French classical gardens | |
| 1981 | Boise Travelling Scholarship, Japan |
| Two months spent in Japan studying Japanese gardens |
Commissions
| 2012 | PZK a.s., Brno, Czech Republic |
| Invited to make large painting for company Board Room | |
| 1997 | Glaxo Wellcome |
| Invited to paint two large paintings for reception of new International Headquarters, Greenford, Middx | |
| 1992 | Quaglino’s Restaurant, London |
| Selected to paint one of eight columns at above | |
| 1991 | Book cover for new edition of ‘Carol’ by Patricia Highsmith |
| Commissioned by Penguin Books |
Consultancies, Public Lectures, Debates, and Media Appearances
| 2012 | FRAC Aquitaine, Bordeaux, Gallery lecture during exhibition ‘ Coup Double’ |
| 2011 | Moore College of Art, Philadelphia, Lecture about my work |
| ‘The Thomas Lawrence Lectures’, Bucks New University, Lecture about my work | |
| 2010 | The Burren College of Art, Eire, Lecture about my work |
| Jury Member for Diplome Supérieur d’Expression Plastique, Ecole Régionale des Beaux-Arts, Rouen | |
| 2009 | French Institute London, Lecture for 'La Peinture est Presque Abstraite' conference and book launch |
| Sheffield Hallam University, Lecture about my work | |
| L'Ecole de Beaux Arts, Valence, Lecture about my work | |
| Bath Spa University, Lecture about my work | |
| 2005-8 | External Assessor, BAFA, Sir John Cass School, London Metropolitan University, London |
| 2003-8 | External Assessor, BAFA, Central St Martins, University of the Arts, London |
| 2006 | Aldrich Museum, Gallery lecture during my solo exhibition |
| 2003 | Milan Gallery, Sao Paulo, Gallery discussion during Painting Per Se exhibition |
| 2002-3 | External Assessor, BAFA, Middlesex University, London |
| 2001 | Gallery discussion about my paintings and drawings with Godfrey Worsdale, Director of Southampton City Art Gallery |
| 2000 | Debate on Abstraction in Painting, Djanogly Gallery, Nottingham - panel member |
| Radio interview about my painting processes - londonart.co.uk (website) | |
| 1999 | Debate on Contemporary Painting, John Hansard Gallery, Southampton - panel member |
| Gallery talk on the ‘Kim Lim’ major retrospective exhibition at Camden Arts Centre. Invited to give personal observations on the work exhibited. | |
| 1998 | Gallery Talk, ‘Eliminate the Negative’, Gasworks, London |
| 1997 | ‘Is Painting Dead?’, Turner Prize Debate, Channel 4 |
| Invited to take part in live televised discussion of above question following the 1997 Turner Prize award | |
| London Arts Board, Advisor, Individual Awards to Artists - Painting. Member of panel to decide on research and materials grants to painters. | |
| Gallery Talk, ‘About Vision’, MOMA Oxford | |
| Talk about my work, followed by question and answer session during exhibition | |
| ‘Small Truths’, Public Seminar, Leeds City Art Gallery | |
| Member of panel of four discussing issues relating to exhibition curated by Professor Nicholas de Ville | |
| 1996 | Gallery Talk, ‘Prunella Clough - Paintings’, Camden Arts Centre |
| Invited to give a talk on the work of Prunella Clough during her retrospective exhibition and during my residency at Camden Arts Centre. | |
| Public presentation of short paper about my own work at the end of the Residency | |
| 1995 | Debate on British Painting since the 50s, Camden Arts Centre. |
| Presentation of paper, illustrated with slides of my work followed by discussion chaired by Mel Gooding during the Patrick Heron exhibition. |
Lectureships
| 2012 | Visiting Professor, RA Schools, London |
| Visiting Lecturer, Ecole des Beaux Arts, Bordeaux | |
| Visiting Lecturer, University of Creative Arts, Canterbury | |
| 2011 | Visiting Lecturer, Moore College of Art, Philadelphia |
| 2010 | Visiting Lecturer, Burren College of Art, Eire |
| 2007- | Visiting Lecturer: Royal Academy Schools |
| 2005-2006 | MA FA Course Leader Stage 1, Goldsmiths College |
| 2001-2005 | Programme Director, Postgraduate Diploma Fine Art, Goldsmiths College |
| 1996-2001 | Lecturer, Goldsmiths College |
| - Programme Leader, Extension Degree Fine Art | |
| - Programme Leader, Certificate for Postgraduate Studies in Fine Art | |
| - Liaison Tutor, Visiting Students, Visual Arts Department | |
| 1991-95 | Visiting Lecturer, Goldsmiths College |
| 1993-94 | Visiting Lecturer, Bath School of Art |
| 1992-95 | Visiting Lecturer, Ruskin School of Fine Art, Oxford |
| 1987-92 | Visiting Lecturer, Brighton Polytechnic |
Bibliography
| 2011 | Stephen Moonie ‘The Indiscipline of Painting’, Catalogue Essay |
| Oliivier Gourvil, ‘(in)actualité de la peinture’ La Nouvelle Revue d’Esthétique, No7 | |
| 2010 | Stephen Chambers 'Raw Talent - Summer Exhibition', Royal Academy Magazine, Summer 2010, p 46-53 |
| 2009 | Lucile Encrevé, 'Une place qui n'est pas fixe.' (A Place that is not Fixed) Catalogue Essay for 'La Peinture est Presque Abstraite', Analogues p 2-15 |
| David Ryan, 'Presque…mais pas tout à fait…' (Almost…but not Quite…) Catalogue Essay for 'La Peinture est Presque Abstraite', Analogues p 26-55 | |
| 2008 | Artworld Magazine - New Works Interview with Paul Carey-Kent, April 2008 |
| 2007 | T J McNamara, ‘Painting: One’ The New Zealand Herald, 30 August 2007’ |
| John Hurrell ‘Love That Icky Paint’, Artbash,30 August 2007 | |
| Esquire Magazine ‘73 Things You Should Have in your Home’ April 2007 pp 121,122 | |
| Barry Schwabsky ‘Artificial Life Forms’, Jane Harris, Catalogue Essay | |
| Rebecca Fortnum, ‘Contemporary British Women Artists’ I.B. Taurus p 16-23 | |
| 2006 | Patrizia Bottallo, 'Jane Harris', Manufactured in the UK, Catalogue Essay |
| Matthew Collings, 'Abstract Mode', Modern Painters, Summer issue | |
| 2005 | Richard Klein, ‘Jane Harris: New Painting’ , Catalogue Essa |
| Martin Herbert, ‘From a Burning Bridge’, Catalogue Essay in ‘Jane Harris: New Painting’ | |
| Tom Lubbock, 'I will always remember Carravagio’s nipple' The Year in Review, The Independent, 30 December | |
| Tom Lubbock, 'On the Edge of Things', The Independent, 2 May | |
| Eileen Walsh, ‘Wierd or Wonderful Art?’, Daily Ireland, 21 April | |
| 2004 | Rebecca Fortnum, 'Seeing and Feeling', Essay in 'Unframed - Practices and Politics of Women’s Contemporary Painting'. Kapitel 7, S. 139 - 161. Herausgegeben von I.B. Taurus |
| 2003 | Suhail Malik and Gerard Hemsworth, 'Painting Per Se' catalogue |
| Martin Herbert, 'Once Again', Modern Painters, Spring | |
| Maria Hirszman, 'Painting Per Se', Terca-Feira, 24. Juni | |
| Paula Alzugaray, 'Painting Per Se', IstoEGente-204, 30.Jun | |
| Ricardo Moreno, 'Painting Per Se', Veja Sao Paulo, 2. Juli | |
| 2002 | Helen Sumpter, 'Elliptical Illusions', The Big Issue, 28. January |
| Stephen Foster, 'Painting as a Foreign Language', contemporary, Juni | |
| Rosemary Shirley, 'Once Again', contemporary, November | |
| 2001 | Martin Hentschel ‘Transforming Geometry and Ornament - On the Paintings of Jane Harris’ - Jane Harris, Paintings and Drawings, Catalogue Essay |
| Godfrey Worsdale ‘Drawings?’ Essay in the above catalogue | |
| Phil Baker ‘Playing It Pure: Jane Harris & Jeremy Moon’, Modern Painters, Spring | |
| Suhail Malik ‘Solidquid’, ‘Surface Tension’ , Catalogue Essay | |
| Roderick Conway Morris, ‘Biennale Opens Its Portals to the Pros’, International Herald Tribune, June 16-17 | |
| Von Georg Leisten ‘Universum aus Farbe’, Stuttgarter Zeitung, 25 October | |
| 2000 | Martin Herbert, ‘Simon Callery, Jane Harris, Mandy Ure, Roy Voss’, Catalogue Essay |
| Simon Wallis - Interview in the above catalogue | |
| Robert Clark ‘You won’t believe your eyes’, The Guardian Guide, 6 May | |
| 1999 | Martin Coomer, ‘Jane Harris, Ana Prada’, Time Out, April |
| Keith Patrick, ‘Jane Harris at Galerie Hollenbach’ Contemporary Visual Arts | |
| Stephen Foster, ‘La Casa, Il Corpo, Il Cuore’, Catalogue Essay | |
| Christopher Kool-Want, ‘Sublime - The Darkness and the Light’, (The Sublime Now - Language), Catalogue Essay | |
| 1998 | Nicholas de Ville,‘Ways of Seeing and the Pleasure of the Visual’, Contemporary Visual Arts, Issue 18, April |
| ‘Art forum berlin’ Dr Gerhard Charles Rump, Die Welt, 2 October | |
| ‘Breites Spektrum, Englische Kunst bei Hollenbach’ Stuttgarterzeitung, 18 November |
|
| ‘Englishce Stoffe. Aha.’, Rainer Vogt, Stuttgarternachriditen, 31 October | |
| 1997 | ‘Oxford, About Vision', Richard Shone, Burlington Magazine, March |
| Godfrey Worsdale, ‘small truths’, Art Monthly, March | |
| Maite Lores, ‘small truths’, Contemporary Visual Arts, Issue 14, April | |
| Judith Bumpus, ‘Jerwood Painting Prize’, Catalogue Essay | |
| Rebecca Fortnum, ‘The Visible Invisible Women’, make 78, Dec-Feb 98 | |
| 1996 | Hans-Joachim Muller, ‘Nach den Kampfen’, Die Zeit, 9 June 1996 |
| Stuart Morgan, ‘Out of Order’, Catalogue Essay | |
| Nick de Ville, ‘Small Truths’, Catalogue Essay | |
| ‘The Vision Thing’, Andrew Wilson, Art Monthly, Dec 96 -Jan 97 | |
| ‘Crooked Style’,William Feaver, The Observer, 17 November | |
| ‘Left reeling from the schlock of the new’, Philip Hensher, Mail on Sunday | |
| ‘The best painting in Britain?’ Tim Hilton, Independent on Sunday, 17 November | |
| 1995 | Dr Gerhard Charles Rump, ‘Wo bitte, bleibt die Sinnlichkeit?’, Die Welt, 14 June |
| 1994 | David Lillington, ‘Affective Light’, Time Out, December 29-January 5 |
| Simon Morley, ‘Jane Harris’, Art Monthly, June | |
| Sue Hubbard, ‘Jane Harris’, Time Out, May 18-25 | |
| Adrian Dannatt, ‘Jane Harris’, Flash Art International, October | |
| Nick de Ville, ‘Jane Harris’, Catalogue Essay | |
| 1993 | Tim Hilton, ‘Moores the merrier, but for how long?, The Independent, October 24 |
| Time Hilton, Exhibitions, (‘Ullo Ian, got an old motor?) | |
| The Independent, May | |
| Lewis Johnson, ‘In the Light of Questions of Place’ | |
| Catalogue Essay for ‘Affective Light’ December | |
| 1992 | Robin Dutt, ‘Jane Harris’, What’s On, July 29-August 5 |
| John McEwen, ‘Jane Harris’, The Sunday Telegraph, July 5 | |
| Tim Hilton, ‘Rising in the East End’, The Guardian, June 25 | |
| Adrian Searle, ‘Jane Harris’, Time Out, July 1-8 | |
| 1991 | Nick de Ville, The Independent, 17 December |
Catalogue